Practice

I work across diverse communication design projects—from collaborative commissions and advisory roles to traditional graphic design such as editorial work. I also pursue research-driven conceptual projects that translate experimental inquiry into artistic forms, bridging science, design, and art.

Selected Work

Visible Language 39.1 (Kim, 2005, Rhode Island School of Design)

Visible Language 39.2 (Kim, 2005, Rhode Island School of Design)

Designed entire journal issues, encompassing both cover design and complete interior layout.

Mini-Works on Paper (Kim, 2012, Jacksonville State University)

Designed marketing materials for the 32nd and 33rd Mini-Works on Paper exhibitions.

Great Unit (Kim, 2009, International Digital Design Invitation Exhibition, Silla University, Busan, South Korea)

Multiplicity Spectrum (Kim, 2012,
Korean Society of Basic Design & Art International Conference, San Jose State University, San Jose, CA)

Intersections (Kim, 2011,
Hammond Hall Gallery, Jacksonville State University, Jacksonville, AL)

Investigated motion-illusion techniques inspired by McDermott’s form-and-motion tutorials and Anstis’s chopstick illusion, translating perceptual principles into experimental visual forms.

The Visual Clavier (Kim, 2009, ArtPrize, Grand Rapids, MI)

Bach’s Harpsichord Concerto in F Minor was interpreted visually, with its pitch, rhythm, and tonal qualities articulated through motion.

John Cage Sonata V (Kim, 2008, International Digital Design Invitation Exhibition, Zhejiang University of Technology, Zhejiang, China)

Explored the motion principles underlying John Cage’s Sonata V, leveraging good continuation to shape dynamic visual–perceptual gestalts.